I have a passion for working with projectors, but a persistent issue I encounter is the shadow cast by visitors when they walk between the projectors and the projection surface. While there are some ways to reduce the impact of this shadow, such as strategic projector placement or using ultrashort throw projectors, I've been searching for a way to seamlessly integrate projection work into existing spaces, allowing visitors to move freely while still being able to interact naturally with the artwork. That's when I remembered the fascinating work of Tony Oursler, a Grand Master and Father of Projection Mapping. By utilizing pico projectors and projection objects installed in a self-standing metal structure, Oursler's work provides an inspiring solution to this challenge, creating a captivating and interactive visual experience for viewers.